Showing posts with label Portraiture. Show all posts
Showing posts with label Portraiture. Show all posts

Tuesday, June 21, 2011

Mermaid Parade 2011 Photo Workshop


Well a fun day was had by all.  Great to be outside all day long on a glorious day, doing what I love to do most.

Tip for the day day is on aperture. What aperture should you use for portraiture?  For a head shot of a single person I generally like to open up to a wide f/stop to blur out my background. That's my preference because I like the look of it and find it particularly attractive and it makes for a stronger photograph. When used on women (who we have to be more careful with) it softens the face and complexion leaving the most important feature sharp which is the eyes. However, there are exceptions especially when you are shooting in crowds and where there are lots of people and different things happening such as at the Mermaid Parade, where I just did a workshop. In a situation like this, where you want to be flexible and spontaneous, you might want to choose to use a medium depth-of-field for a little more depth of field. When a situation arises and you have a little more time to to make a change and want to throw more of your background out-of-focus and again to get a stronger photo, open up your aperture, that is, providing you have the light. Again, in the studio I like to choose a shallow depth of field especially for women.  Studio lights can show imperfections and reveal too much. If the person is young and their complexion is good,  you have choices, but the older we get the more lines and imperfections we get on our faces and the more we notice them.  So, the photographer should be aware of this. When photographing more than one person you need a medium aperture to make sure your subjects are in focus. For children, more times then not because they can't hold still sometimes a choice of  a medium to small aperture is better.
 




Monday, May 9, 2011

Why Fill Flash?

Certain situations lend themselves to using fill flash for a little more drama.


You can also use fill flash to add catch lights in someones eye's giving your subject a certain sparkle and excitment which draws the viewer in. When I say fill flash, I mean just that a little fill. You need to tweak down your strobe so you're getting a small amount of light but just enough. You really don't want the photograph to look like you used a flash at all. You're just looking for a little more dimension to your work. I've added some examples of what I'm talking about.    


All Photos©JoAnne Kalish

Thursday, October 21, 2010

2010 Fall Workshop

Photos © JoAnne Kalish 

We had a great Fall Workshop this past Sunday in the Upper Delaware. I surprised everybody by bringing in two very pretty students, we used as models. The young ladies, Delanie and Jacqueline were great. We started the workshop at the Farm and the Llamas were curious, gentle, and followed us around as we photographed them.  We then went back to the barn as it was feeding time and worked with the animals a little more. In the back of the barn we found a window with some good side light. We utilized this window for our portraits using a little fill.  We worked on body placement, how to get a Rembrandt patch and simple direction. I took them to another favorite spot of mine where the lighting is so soft and beautiful for additional portraiture work.  We then went on to Luna Parc and worked on graphics. Students had an opportunity to meet artist Ricky Boscarino of Luna Parc along with another artist Greg Hicho as they collaborated on a new mosaic piece. We ended our workshop at one of the many local waterfalls learning how to work with the fluidity of water, nature's colorful fall palette, in beautiful autumn light.